This program of 12 films, divided into two sessions, aims to bring together rights holders or representatives of classic films seeking new commercial prospects, and professionals looking for new opportunities: buyers, sellers, distributors, programmers, laboratories, publishers, and any partner who can help finance a restoration project and/or propose new commercialisation of the films.
6 recently restored films with Lumière Classics label have been selected and will be presented to accredited professionals.
The films selected for the Re>Birth programme #1 are generally looking for a complement to distribution or broadcasting especially in terms of new formats/channels/media or new territories.
2:30pm at Le Karbone: Project presentations (pitch + excerpts)
4:30pm at the MIFC Village: One-to-one meetings
book a time slot here (for MIFC accredited members only)
As ilhas encantadas
Carlos Vilardebó
1965, 91 MIN, PORTUGAL / FRANCE
Rights owner: Marfilmes
Project holders: Joana de Sousa and Tiago Costa (Cinemateca Portuguesa – Museu do Cinema)
Marée noire et colère rouge
René Vautier
1978, 64 MIN, FRANCE, DOCUMENTARY
Rights owner: Ciaofilm
Project holder: Moïra Chappedelaine-Vautier (Ciaofilm)
A Hometown in Heart
Yong-gyu Yun
1949, 78 MIN, SOUTH KOREA
Rights owner: Domaine public
Project holder: Sungji Oh (Korean Film Archive)
Death of a Cyclist
Juan Antonio Bardem
1955, 88 MIN, SPAIN
Rights owner: Mercury films
Project holder: Laurence Berbon (Tamasa Distribution)
A Woman Heats the Sauna Arvo Kruusement
1978, 69 MIN, ESTONIA
Rights owner: Estonian Film Institute
Project holder: Triinu Keedus (Estonian Film Institute)
The Village
Leopold Lindtberg
1953, 93 MIN, SWITZERLAND / UK
Rights owner: Praesens Films
Project holder: Frédéric Maire (Cinémathèque Suisse)
6 films with a restoration project have been selected and will be presented to accredited professionals.
The films selected for the Re>Birth programme #2 are generally in search of financing to carry out or complete a restoration project,
as well as partners to envisage a new commercialisation of the film, whether it may involve a complete re-release or a distribution
via certain formats/channels/media or territories.
9:30 am at Le Karbone: Présentations des projets (pitch + extraits)
11:30 am at the MIFC Village: One-to-one meetings
book a time slot here (for MIFC accredited members only)
La corruzione
Mauro Bolognini
1963, 85 MIN, FRANCE / ITALY
Rights owner: Cinematographique Lyre / Movietime Srl
Project holder: Patricia Barsanti (Cinematographique Lyre)
Du Côté d’Orouët
Jacques Rozier
1970, 154 MIN, FRANCE
Rights owner: mk2 Films
Project holders: Frédérique Rouault and Jacques-Antoine Jagou (mk2 Films)
Is It Easy to Be Young?
Juris Podnieks
1986, 81 MIN, LATVIA
Rights owner: Latvian State Archive of Audiovisual Documents / National Film Centre of Latvia / Copyright and Communication Consulting Agency / Latvian Authors Association
Project holder: Roberts Vinovskis (Locomotive Classics)
MICHAEL HANEKE’S first 4 TV films
Lemmings, Part 1 – Arcades (Lemminge, Teil 1 – Arkadien)
1979, 113 MIN, GERMANY / AUSTRIA
Rights owner: ORF
Lemmings, Part 2 – Injuries (Lemminge, Teil 2 – Verletzungen)
1979, 107 MIN, GERMANY / AUSTRIA
Rights owner: ORF
The Rebellion (Die Rebellion)
1976, 105 MIN, AUSTRIA
Rights owner: ORF
Three Paths to the Lake
(Drei Wege zum See)
1976, 97 MIN, AUSTRIA / GERMANY
Rights owner: ORF / SWR
Project holders: Régine Vial, Lise Zipci (Les films du Losange)
The Cloud
Fernando E. Solanas
1998, 114 MIN, FRANCE / ARGENTINA / GERMANY
Rights owner: CINESUR SA. / Les films du Sud / Continent film / BIM Distribuzione
Project holder: Fernando Madedo (Cubic Restoration)
The Black Mermaid
Carlos Serrano de Osma
1947, 77 MIN, SPAIN
Rights owner: Mercury Films
Project holders: Valeria Camporesi and Carlos Reviriego (Filmoteca Española)
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